At Octagon, their purpose is, “to create work that earns attention. Through smart partnerships and generous ideas -- always built around the stuff your audience really loves -- we help you compete for, capture, and ultimately earn the attention of those who matter most to you.”
In these current times, it could be argued that that is more important than ever and it aligns very nicely with what we so often talk about on this show, that sponsorship is about brands accessing an audience that they would otherwise not be able to or as easily be able to access.
Octagon understands that we live in a world where time is our most precious commodity and that audiences’ patience has never been shorter. As an industry, sponsorship has never had to work harder to gain the attention of the people we are trying to reach. The way Octagon see it, “ … there’s two ways to go about it. Attention is either bought. Or it’s earned”. We all know which one sponsorship truly seeks to achieve!
Joining us on the show, to give us a current agency perspective of sponsorship, is Andrew Clarke, Agency Director at Octagon Australia.
Andrew is an integrated marketing specialist with 17 fun-filled years of creativity and problem solving under his belt. He’s seen life from both client and agency sides and he always like to present a balanced picture to lead projects and the Octagon Australia team.
He believes people’s passions will change the world we live in, and helping brands find a unique role in this equation, whether through sport, entertainment, culture, or causes is what motivates him.
If you’d like to connect with Andrew, you can find him on LinkedIn or call in the number provided at the end of the show, you can visit the Ocatgon website at octagon.com/australia and follow their campaign work on Instagram at @octagonaustralia
Also joining us is Daniel Collier-Hill, KORE’s Commercial Director – APAC, who has kicked of a three-part blog series which focuses on hacking sponsorship and he joins us to discuss part 1, Planning for the Return.
Enjoy.
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